Yaman adamd\u0131 vesselam!<\/p>\n\n\n\n
T\u00fcrk tiyatrosunda al\u0131\u015fa gelmi\u015f \u00e7izgilerin d\u0131\u015f\u0131nda bir yol hikayesi oldu.<\/p>\n\n\n\n
Tabii s\u0131ra d\u0131\u015f\u0131 olan her \u015fey gibi, kal\u0131c\u0131 bir iz b\u0131rakt\u0131 ard\u0131ndan.<\/p>\n\n\n\n
Takvimlerin 31 A\u011fustos’u g\u00f6sterdi\u011fi, pazartesinin sal\u0131ya ba\u011fland\u0131\u011f\u0131 gecede, teknik olarak aram\u0131zdan ayr\u0131ld\u0131 Ferhan \u015eensoy.<\/p>\n\n\n\n
\u00d6l\u00fcm\u00fcn, ya\u015fayan her canl\u0131 i\u00e7in ya\u015fanacak bir durum oldu\u011funu bilimsel olarak bildi\u011fimize g\u00f6re, \u015eensoy’un d\u00fcnyada ge\u00e7irdi\u011fi tiyatro dolu 53 y\u0131l\u0131, T\u00fcrk tiyatrosu ad\u0131na kazan\u0131lm\u0131\u015f bir ayr\u0131cal\u0131k olarak hanemize yazabiliriz.<\/p>\n\n\n\n
Usta kalemi, payda\u015flar\u0131ndan farkl\u0131 k\u0131lan keskin \u00e7izgiler mevcut.<\/p>\n\n\n\n
Hikayemiz \u0130stanbul’da ba\u015fl\u0131yor.<\/p>\n\n\n\n
Y\u0131l 1968<\/p>\n\n\n\n
Galatasaray Lisesi’ndeyiz.<\/p>\n\n\n\n
Okulun e\u011flence gecelerinden birindeyiz.<\/p>\n\n\n\n
17 ya\u015f\u0131nda gen\u00e7 bir delikanl\u0131, sergiledi\u011fi taklit performans\u0131yla, \u00fcnl\u00fc oyun yazar\u0131 Haldun Taner’in dikkatini \u00e7ekmeyi ba\u015far\u0131yor.<\/p>\n\n\n\n
E\u011flence sonras\u0131 kar\u015f\u0131la\u015fmalar\u0131 ise tamamen tesad\u00fcf.<\/p>\n\n\n\n
Tesad\u00fcfle birlikte gelen teklif ise mutlulu\u011fun karesi.<\/p>\n\n\n\n
Ve \u015eensoy’un \u00f6nlenemez y\u00fckseli\u015finin ba\u015flang\u0131\u00e7 dura\u011f\u0131 ortaya \u00e7\u0131k\u0131yor: Deveku\u015fu Kabare<\/p>\n\n\n\n
Yazd\u0131\u011f\u0131 ske\u00e7lerle yer ald\u0131\u011f\u0131 olu\u015fumun yan\u0131 s\u0131ra ‘Grup Oyuncular\u0131’ \u00e7at\u0131s\u0131 alt\u0131nda ilk profesyonel oyunculuk deneyimini elde ediyor.<\/p>\n\n\n\n
Tiyatronun art\u0131k ele ge\u00e7irdi\u011fi gen\u00e7 adam, gelece\u011fini \u015fekillendirmek i\u00e7in konservatuvar e\u011fitimi almak \u00fczere \u00f6nce Fransa, ard\u0131ndan Kanada’n\u0131n yolunu tutuyor.<\/p>\n\n\n\n
1975 y\u0131l\u0131nda \u00fclkeye d\u00f6nd\u00fc\u011f\u00fc zaman, Taner’in ak\u0131l hocal\u0131\u011f\u0131 yapt\u0131\u011f\u0131 \u015eensoy, Ali Poyrazo\u011flu’nun iste\u011fi \u00fczerine bir oyun yazmas\u0131 ve oyunun kadrosunda rol almas\u0131 teklifi al\u0131r.<\/p>\n\n\n\n
Derken, gel zaman git zaman; Ali Poyrazo\u011flu Tiyatrosu, T\u00fcrk Yazarlar\u0131 Tiyatrosu, Nisa Serezli – Tolga A\u015fk\u0131ner Tiyatrosu, Anyamanya Kumpanya Tiyatrosu ve Ayfer Feray Tiyatrosu \u00e7at\u0131s\u0131 alt\u0131nda yazar ve oyuncu olarak \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc.<\/p>\n\n\n\n
1980 y\u0131l\u0131nda Ortaoyuncular ad\u0131yla, kendi tiyatrosunu kurmaya karar verdi.<\/p>\n\n\n\n
14 Mart 1980 tarihinde Harbiye’de, Yap\u0131 End\u00fcstri Merkezi Salonu\u2019nda, ‘\u015eahlar\u0131 da Vururlar’ oyunu ile ilk kez perdelerini a\u00e7t\u0131. Y\u00f6netmen ve oyuncu olarak yer ald\u0131\u011f\u0131 oyunun m\u00fcziklerini Fuat G\u00fcner’le birlikte yapt\u0131.<\/p>\n\n\n\n
\u015eimdi kronolojik olarak ilerledi\u011fimiz bu a\u015famada zamanda bir yolculuk yapal\u0131m ve g\u00fcn\u00fcm\u00fcze ula\u015fal\u0131m. Ferhan \u015eensoy\u2019un 1980 y\u0131l\u0131nda yaz\u0131p sahneye koydu\u011fu m\u00fczikli g\u00fcld\u00fcr\u00fc ‘\u015eahlar\u0131 Da Vururlar’, aradan ge\u00e7en 42 y\u0131l\u0131n ard\u0131ndan, sahibinin sesi olmadan buruk bir hisle yeniden izleyiciyle bulu\u015ftu.<\/p>\n\n\n\n
Projenin perde arkas\u0131na g\u00f6z att\u0131\u011f\u0131m\u0131zda; \u015eensoy’un, ‘Ortaoyuncular’ toplulu\u011funun a\u00e7\u0131l\u0131\u015f oyununu 40 y\u0131l sonra yeniden sahnelemek i\u00e7in provalara ba\u015flad\u0131\u011f\u0131n\u0131 ama beklenmedik kay\u0131p nedeniyle oyunun s\u00fcresiz ertelendi\u011fini belirtelim.<\/p>\n\n\n\n
Neyse ki bu erteleme karar\u0131, \u0130KSV Tiyatro Festivali kapsam\u0131nda sessizli\u011fini bozdu. Ortaoyuncular, Ferhan \u015eensoy\u2019un vefat\u0131ndan sonra \u015eahlar\u0131 da Vururlar ile 11 Kas\u0131m 2022’de sahnelere d\u00f6nerken tarihi Ses Tiyatrosu da perdelerini yeniden izleyicilerine a\u00e7t\u0131.<\/p>\n\n\n\n
40 y\u0131l \u00f6nce oyunu izleme \u015fans\u0131n\u0131 bulamam\u0131\u015f izleyiciler i\u00e7in heyecan verici olsa da, Ferhan \u015eensoy’u y\u0131llar sonra ‘\u00d6mer Hayyam’ olarak izleme f\u0131rsat\u0131n\u0131 ka\u00e7\u0131rd\u0131k.<\/p>\n\n\n\n
Oyunda \u0130ran\u2019daki kar\u0131\u015f\u0131kl\u0131klar \u00fczerinden d\u00f6nemin T\u00fcrkiye\u2019sine ciddi ele\u015ftiriler y\u00f6neltiliyor.<\/p>\n\n\n\n
‘Hik\u00e2ye, 1940\u2019lar\u0131n \u0130ran\u2019\u0131nda isim benzerli\u011fi y\u00fcz\u00fcnden \u0130ran \u0130stihbarat Te\u015fkilat\u0131 ile ba\u015f\u0131 belaya giren \u00d6mer Hayyam\u2019\u0131n yanl\u0131\u015fl\u0131kla hapse at\u0131lmas\u0131yla ba\u015flar. \u015eah R\u0131za Pehlevi y\u00f6netimindeki \u00fclkede i\u015fler raydan \u00e7\u0131kmak \u00fczeredir. \u015eah\u2019\u0131n pek de parlak olmayan \u00f6zel hayat\u0131, saray i\u00e7i dedikodular, g\u00fc\u00e7 \u00e7eki\u015fmeleriyle yo\u011funla\u015fan g\u00fcndem, huzursuz g\u00fcnlerin yakla\u015ft\u0131\u011f\u0131n\u0131n habercisidir. Bir tarafta ge\u00e7im s\u0131k\u0131nt\u0131s\u0131 i\u00e7inde bunalan halk\u0131n i\u00e7inde isyan\u0131n yava\u015f yava\u015f y\u00fckselen sesleri duyulurken, di\u011fer tarafta halktan kopuk y\u00f6netim ve iktidar \u00e7eki\u015fmeleri ya\u015fanmaktad\u0131r. D\u00f6nemin d\u00fcnya bas\u0131n\u0131n\u0131 s\u00fcrekli me\u015fgul eden saray hayat\u0131 ve \u015fah y\u00f6netimi ile halk aras\u0131nda g\u00fcnbeg\u00fcn a\u00e7\u0131lan u\u00e7urum art\u0131k her \u015feyi kopma noktas\u0131na getirmi\u015ftir.’<\/p>\n\n\n\n
Oyunu izledi\u011finizde, 40 y\u0131l \u00f6nce yaz\u0131lm\u0131\u015f olmas\u0131na ra\u011fmen \u015eensoy’un yakalad\u0131\u011f\u0131 teman\u0131n g\u00fcncelli\u011fi sizi \u015fa\u015f\u0131rtacak. Oyun, yaz\u0131nsal \u00f6zellikleriyle \u015eensoy\u2019un yazarl\u0131k ve y\u00f6netmenlik tekni\u011finin m\u00fckemmel bir \u00f6rne\u011fi olmakla beraber e\u015f zamanl\u0131 yaz\u0131lan ger\u00e7ek bir tarih parodisi.<\/p>\n\n\n\n
\u0130zleyece\u011finiz oyunun final sahnesi yaz\u0131m a\u015famas\u0131nda farkl\u0131 bir sona sahip. Yazd\u0131\u011f\u0131 oyunu okumas\u0131 i\u00e7in Haldun Taner’e g\u00f6t\u00fcren \u015eensoy, usta yazar\u0131n \u00f6nerisi \u00fczerine finali yeniden kaleme ald\u0131.<\/p>\n\n\n\n
Fars\u00e7a Fars!<\/p>\n\n\n\n
Evet yanl\u0131\u015f okumad\u0131n\u0131z. Oyun T\u00fcrk\u00e7e’de de s\u0131kl\u0131kla kulland\u0131\u011f\u0131m\u0131z Fars\u00e7a kelimelerin bol bol kullan\u0131ld\u0131\u011f\u0131 bir oyun metni. \u0130zlerken Fars\u00e7a bir oyun izledi\u011finiz hissine kap\u0131l\u0131yorsunuz.<\/p>\n\n\n\n
Ferhan \u015eensoy’un yazd\u0131\u011f\u0131 oyunun y\u00f6netmenli\u011fini deneyimli y\u00f6netmen Volkan M. Sar\u0131\u00f6z \u00fcstlenmi\u015f durumda. Sefa Tanto\u011flu’nun \u00d6mer Hayyam’\u0131 canland\u0131rd\u0131\u011f\u0131 yap\u0131m\u0131n oyuncu kadrosunda; \u00d6zkan Aksu, Elif Durdu \u015eensoy, Celal Belgil, Erkan \u00dc\u00e7\u00fcnc\u00fc, Serap G\u00fcnayd\u0131n, Orkun Aky\u0131ld\u0131z ve \u0130lksen \u00d6kte yer al\u0131yor.<\/p>\n\n\n\n
Oyunun m\u00fczikleri ba\u015fl\u0131 ba\u015f\u0131na bir ba\u015fl\u0131k konusu. Hen\u00fcz geni\u015f kitlelerle bulu\u015fmam\u0131\u015f olan MF\u00d6 grubunun iki \u00fcyesi Fuat G\u00fcner ve \u00d6zkan U\u011fur, oyun i\u00e7inde hem m\u00fczi\u011fi icra ediyor hem de kimi rolleri \u00fcstleniyordu. Hatta, 1984 y\u0131l\u0131nda yay\u0131nlad\u0131klar\u0131 ilk alb\u00fcmlerinde yer alan ‘Ele G\u00fcne Kar\u015f\u0131’ ve ‘Yaln\u0131zl\u0131k \u00d6m\u00fcr Boyu’ \u015fark\u0131lar\u0131 ilk kez farkl\u0131 s\u00f6zlerle oyun i\u00e7in kullan\u0131ld\u0131. Oyunu izlerken bu \u015fark\u0131lara denk geldi\u011finizde \u015fa\u015f\u0131rmay\u0131n. Zaten bu oyun i\u00e7in bestelendiler.<\/p>\n\n\n\n
Yap\u0131m\u0131n g\u00fcncel icrac\u0131lar\u0131 ise yine T\u00fcrkiye’nin sevdi\u011fi isimlerden olu\u015fuyor. Bulutsuzluk \u00d6zlemi grubunun solisti Nejat Yava\u015fo\u011fullar\u0131 ve Grup G\u00fcndo\u011farken’in karde\u015f sanat\u00e7\u0131lar\u0131 G\u00f6khan \u015ee\u015fen ve Burhan \u015ee\u015fen oyun s\u00fcresince sizlerle.<\/p>\n\n\n\n
Yaz\u0131m\u0131z\u0131n sonuna s\u00f6zc\u00fck s\u00f6zc\u00fck yakla\u015f\u0131rken, oyuna dair izlenimim;<\/p>\n\n\n\n
Sahibinin sesine yak\u0131\u015f\u0131r bir sahneleme ortaya \u00e7\u0131kard\u0131klar\u0131 y\u00f6n\u00fcnde.<\/p>\n\n\n\n
‘Ferhangi’ bir dil<\/p>\n\n\n\n
‘Ferhanca’ bir oyun i\u00e7in<\/p>\n\n\n\n
Alk\u0131\u015flar Ortaoyuncular’a<\/p>\n\n\n\n
Ferhan Usta’ya sayg\u0131lar\u0131m\u0131zla!<\/p>\n\n\n\n
\u0130ki perde, 135 Dakika (Ara dahil)<\/p>\n","protected":false},"excerpt":{"rendered":"
Yaman adamd\u0131 vesselam! T\u00fcrk tiyatrosunda al\u0131\u015fa gelmi\u015f \u00e7izgilerin d\u0131\u015f\u0131nda bir yol hikayesi oldu. Tabii s\u0131ra…<\/p>\n","protected":false},"author":1,"featured_media":20,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2],"tags":[],"class_list":["post-19","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sahne-sanatlari","category-tiyatro","wpcat-1-id","wpcat-2-id"],"_links":{"self":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19"}],"version-history":[{"count":2,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/19\/revisions"}],"predecessor-version":[{"id":22,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/19\/revisions\/22"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/media\/20"}],"wp:attachment":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}