‘U\u00e7urtman\u0131n Kuyru\u011fu’nu
hi\u00e7 b\u0131rakmayanlara!<\/p>\n\n\n\n
<\/p>\n\n\n\n
Tiyatro oyuncusu ve yazar Sava\u015f Din\u00e7el’in yazd\u0131\u011f\u0131 iki perdelik tiyatro oyunu ‘U\u00e7urtman\u0131n Kuyru\u011fu’, 29 Mart 2023 \u00c7ar\u015famba g\u00fcn\u00fc \u0130BB \u015eehir Tiyatrolar\u0131 M\u00fcze Gazhane Prof. Dr. Sevda \u015eener Sahnesi\u2019nde pr\u00f6miyerini ger\u00e7ekle\u015ftirdi.<\/p>\n\n\n\n
\u0130lk g\u00f6sterimini de 2001-2002 sanat d\u00f6neminde \u0130BB \u015eehir Tiyatrolar\u0131’nda ger\u00e7ekle\u015ftiren oyun, Sava\u015f Din\u00e7el y\u00f6netiminde sahnelenmi\u015fti. Hem y\u00f6netmeni hem de oyuncular\u0131 (Na\u015fit \u00d6zcan ve Avni Yal\u00e7\u0131n) \u00f6d\u00fclle bulu\u015fturan yap\u0131m d\u00f6nemin en s\u0131ra d\u0131\u015f\u0131 i\u015fleri aras\u0131nda yerini ald\u0131.<\/p>\n\n\n\n
2007 y\u0131l\u0131nda yitirdi\u011fimiz Sava\u015f Din\u00e7el’in ard\u0131ndan farkl\u0131 topluluklar taraf\u0131ndan sahneye ta\u015f\u0131nan oyun, ilk kez sahnelendi\u011fi \u0130BB \u015eehir Tiyatrolar\u0131’nda 20 y\u0131l sonra bu kez de Bar\u0131\u015f Din\u00e7el y\u00f6netiminde izleyicilerle bulu\u015ftu.<\/p>\n\n\n\n
\u00d6ncelikle oyunun konusuna g\u00f6z atal\u0131m;<\/p>\n\n\n\n
\u00c7ocuklu\u011fu babas\u0131 taraf\u0131ndan otoriteyle bezenmi\u015f, s\u0131k\u0131 bir disiplinle yeti\u015ftirilmi\u015f, bu disiplin ve otorite kendisi i\u00e7in saplant\u0131ya d\u00f6n\u00fc\u015fm\u00fc\u015f bir adam, hayat\u0131na son vermeye karar verir. \u0130ntihar mektubunu yaz\u0131p bitirdi\u011fi an kap\u0131 \u00e7alar. Kar\u015f\u0131s\u0131nda ilk defa g\u00f6rd\u00fc\u011f\u00fc ,tan\u0131mad\u0131\u011f\u0131 bir misafir vard\u0131r. Gelen adam hayat\u0131na ve t\u00fcm \u00e7ocuklu\u011funa dair her \u015feye hakimdir. Zaman ge\u00e7tik\u00e7e sohbet ilgi \u00e7ekici bir hal al\u0131r. Etkileyici bir i\u00e7 hesapla\u015fma ba\u015flar.<\/p>\n\n\n\n
Klasik anlamda, sahne \u00fczerinde giri\u015f, geli\u015fme ve sonu\u00e7 odakl\u0131 yap\u0131mlara al\u0131\u015f\u0131k olan ve Ye\u015fil\u00e7am’\u0131n melodram anlay\u0131\u015f\u0131n\u0131 benimseyen T\u00fcrk izleyicisi i\u00e7in ters k\u00f6\u015fe bir metin oldu\u011funun alt\u0131n\u0131 \u00e7izelim.<\/p>\n\n\n\n
1900’l\u00fc y\u0131llarda insan psikolojine d\u00f6n\u00fck Rus romanlar\u0131n\u0131n etkisi ile geli\u015fen ve D\u00fcnya Sava\u015flar\u0131’n\u0131n yaratt\u0131\u011f\u0131 travmalar ile olay odakl\u0131 de\u011fil de bilin\u00e7 alt\u0131 duygu-durumlara y\u00f6nelen ‘Post-Modern’ anlat\u0131m tarz\u0131n\u0131n ba\u015far\u0131l\u0131 bir \u00f6rne\u011fi olarak tan\u0131mlayabiliriz.<\/p>\n\n\n\n
”Post-modern roman\u0131n olay \u00f6rg\u00fcs\u00fcn\u00fc b\u00fcy\u00fck meseleler yerine daha k\u00fc\u00e7\u00fck, insan\u0131n g\u00fcndelik ya\u015fam\u0131na de\u011finen konular olu\u015fturmakta, her \u015feyi bilen ak\u0131lc\u0131 \u00f6zne kaybolmakta ve tek bir hakikatin oldu\u011fu mesaj\u0131 reddedilerek birden \u00e7ok perspektifin oldu\u011fu anlat\u0131 kendisini g\u00f6stermektedir.”<\/p>\n\n\n\n
Sahne \u00fcst\u00fcnde izledi\u011fimiz asl\u0131nda iki farkl\u0131 ki\u015fi de\u011fil, ayn\u0131 zihinde birbiri ile \u00e7at\u0131\u015fan tek bir ki\u015finin psikolojik yans\u0131mas\u0131. \u00d6zetle, Serdar Orta\u00e7 \u015fark\u0131s\u0131 gibi, ”Kafamda deli sorular. Kolayca \u00e7\u00f6zemiyorum’ tad\u0131nda bir beyin operasyonuna tan\u0131k olacaks\u0131n\u0131z.<\/p>\n\n\n\n
\u00dclkemizde, duygu otopsisi anlam\u0131nda ilk \u00fcr\u00fcnleri ortaya koyan O\u011fuz Atay’\u0131n \u00f6nc\u00fcllerinden etkilendi\u011fi gibi, Sava\u015f Din\u00e7el’in de O\u011fuz Atay’\u0131n ard\u0131l\u0131 olarak ba\u015far\u0131l\u0131 bir \u00e7al\u0131\u015fma ortaya koydu\u011funu net olarak ifade edebiliriz.<\/p>\n\n\n\n
Sahne tasar\u0131m orijinli bir y\u00f6netmen olarak ortaya \u00e7\u0131kan ve babas\u0131n\u0131n izinden giden Sava\u015f Din\u00e7el’in hem y\u00f6netmenlik anlam\u0131nda hem de sahne tasar\u0131m anlam\u0131nda hasarl\u0131 bilin\u00e7 alt\u0131n\u0131 tasar\u0131m ve reji ba\u011flam\u0131nda sahne \u00fcst\u00fcne ta\u015f\u0131mas\u0131 olduk\u00e7a ba\u015far\u0131l\u0131.<\/p>\n\n\n\n
Ali Yo\u011furt\u00e7uo\u011flu ve G\u00fcn Koper’in ba\u015frol\u00fc payla\u015ft\u0131\u011f\u0131 yap\u0131mda, her iki oyuncunun g\u00f6sterdi\u011fi uyum ve canland\u0131rma ger\u00e7ekten alk\u0131\u015fa de\u011fer. K\u0131yafet de\u011fi\u015fimi ile ilgili sahne oyunun kilit ta\u015f\u0131 konumunda.<\/p>\n\n\n\n
M\u00fczik ve efekt tasar\u0131mda Emrah Can Yayl\u0131, kost\u00fcm tasar\u0131mda Gamze Ku\u015f, \u0131\u015f\u0131k tasar\u0131mda Osman Aktan imzas\u0131 bulunan yap\u0131m teknik ve yarat\u0131c\u0131 ayr\u0131nt\u0131lar\u0131 ile g\u00f6z dolduruyor.<\/p>\n\n\n\n
Sanki bir O\u011fuz Atay roman\u0131 okur gibi!<\/p>\n\n\n\n
\u0130ki Perde, 110 Dakika<\/p>\n\n\n\n
<\/p>\n\n\n\n
8 Nisan 2023<\/p>\n\n\n\n
M\u00fcze Gazhane Prof. Dr. Sevda \u015eener Sahnesi<\/p>\n","protected":false},"excerpt":{"rendered":"
‘U\u00e7urtman\u0131n Kuyru\u011fu’nuhi\u00e7 b\u0131rakmayanlara! Tiyatro oyuncusu ve yazar Sava\u015f Din\u00e7el’in yazd\u0131\u011f\u0131 iki perdelik tiyatro oyunu ‘U\u00e7urtman\u0131n…<\/p>\n","protected":false},"author":1,"featured_media":26,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2],"tags":[],"class_list":["post-25","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sahne-sanatlari","category-tiyatro","wpcat-1-id","wpcat-2-id"],"_links":{"self":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25"}],"version-history":[{"count":6,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/25\/revisions"}],"predecessor-version":[{"id":38,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/25\/revisions\/38"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/media\/26"}],"wp:attachment":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}