{"id":40,"date":"2023-05-07T11:50:58","date_gmt":"2023-05-07T11:50:58","guid":{"rendered":"http:\/\/fuaye.net.tr\/?p=40"},"modified":"2023-05-07T14:52:55","modified_gmt":"2023-05-07T14:52:55","slug":"buyuk-biraderden-sevgilerle","status":"publish","type":"post","link":"https:\/\/fuaye.istanbul\/?p=40","title":{"rendered":"&#8216;B\u00fcy\u00fck Birader&#8217;den sevgilerle!"},"content":{"rendered":"\n<p>Nil\u00fcfer Kent Tiyatrosu ile ilk tan\u0131\u015ft\u0131\u011f\u0131mda tarihler 9 \u015eubat 2016 Sal\u0131 g\u00fcn\u00fcn\u00fc g\u00f6steriyordu.<br>O zamanlar hen\u00fcz bir ad\u0131 bile yoktu.<br>Nil\u00fcfer Belediyesi &#8216;Tiyatro&#8217; olarak, Orhan Kemal\u2019in roman\u0131ndan uyarlanan &#8216;Tersine D\u00fcnya&#8217; adl\u0131 oyunun \u0130stanbul galas\u0131 i\u00e7in Moda Sahnesi\u2019nde g\u00f6z g\u00f6ze gelmi\u015ftik.<\/p>\n\n\n\n<p>Engin Alkan&#8217;\u0131n uyarlad\u0131\u011f\u0131 ve y\u00f6netti\u011fi oyunun kadrosunda; Feyha \u00c7elenk, Tuba Erdem, \u00c7a\u011fda\u015f Tekin, \u00c7a\u011fr\u0131 B\u00fcy\u00fcksayar, Cansu Ecem Karabulut, Arman Y\u0131ld\u0131z, Suat Onur \u00c7al\u0131k, \u015eeyma G\u00f6k\u00e7e Cengiz, Deniz G\u00fcrsucu, \u00c7isil Oral, Mert Tiryaki, Mesut \u00d6zsoy, G\u00f6khan Kum, Y\u00fcce Arma\u011fan Erkek ve Hakan Kahraman rol alm\u0131\u015ft\u0131.<\/p>\n\n\n\n<p>Sonra s\u0131ras\u0131yla; Romeo &amp; Juliet, \u015eark Di\u015f\u00e7isi, Hayal\u00ee&#8217;nin Hayali ile yollar\u0131m\u0131z yeniden kesi\u015fti.<\/p>\n\n\n\n<p>Engin Alkan&#8217;\u0131n kurucu genel sanat y\u00f6netmeni olarak g\u00f6reve getirilmesinin ard\u0131ndan kurumsal bir yap\u0131 ve kal\u0131c\u0131 bir isme sahip olan topluluk, Nil\u00fcfer Kent Tiyatrosu olarak yoluna devam etti. Alkan&#8217;\u0131n istifas\u0131 ile k\u0131sa s\u00fcren y\u00f6neticilik d\u00f6neminin ard\u0131ndan, topluluk Emre Feza Soysal idaresinde yola devam etti. 4 Haziran 2021 tarihinde genel sanat y\u00f6netmenli\u011fi g\u00f6revine DOT Tiyatro&#8217;nun kurucu orta\u011f\u0131 Murat Daltaban getirildi.<\/p>\n\n\n\n<p>In-Yer-Face Theatre t\u00fcr\u00fcn\u00fcn etkileyici \u00e7al\u0131\u015fmalar\u0131 ile \u00e7a\u011fda\u015f tiyatro anlay\u0131\u015f\u0131n\u0131n \u00fclkemiz sahnelerinde konumunun per\u00e7inlenmesine do\u011frudan katk\u0131 sunan toplulu\u011fun g\u00f6lgesi, art\u0131k Nil\u00fcfer Kent Tiyatrosu&#8217;nun sahnelerinde ve koridorlar\u0131nda dola\u015f\u0131yor.<\/p>\n\n\n\n<p>Ge\u00e7ti\u011fimiz y\u0131l, k\u0131sa oyunlardan olu\u015fan epik oyun &#8216;Vur, Yag\u0306mala, Yeniden&#8217; ile dikkatleri yeniden \u00fcstlerine \u00e7ekmeyi ba\u015farm\u0131\u015flard\u0131.<\/p>\n\n\n\n<p>Bu y\u0131lda, t\u00fcm zamanlar\u0131n en \u00e7ok sat\u0131lan kitab\u0131 olan ve George Orwell taraf\u0131ndan 1948 y\u0131l\u0131nda kaleme al\u0131nan &#8216;1984&#8217; roman\u0131n\u0131n oyunla\u015ft\u0131r\u0131lm\u0131\u015f metni, Nil\u00fcfer Kent Tiyatrosu&#8217;nun lokomotif oyunu olarak \u00f6ne \u00e7\u0131kt\u0131.<\/p>\n\n\n\n<p>Robert Icke ve Duncan Macmillan taraf\u0131ndan oyunla\u015ft\u0131r\u0131lan metin, Ayberk Erkay \u00e7evirisi ve Murat Daltaban y\u00f6netiminde, sahnede ete kemi\u011fe b\u00fcr\u00fcn\u00fcyor.<\/p>\n\n\n\n<p>Oyuna dair ilk izlenimlerimi bir ka\u00e7 kelime ile aktaracak olursam e\u011fer, heyecan verici bir deneyim ya\u015fad\u0131\u011f\u0131m\u0131 a\u00e7\u0131k\u00e7a ifade edebilirim.<\/p>\n\n\n\n<p>Distopya t\u00fcr\u00fcn\u00fcn zirvesinde yer alan edebi yap\u0131t, t\u00fcr\u00fcn \u00f6znesi olan &#8216;uyar\u0131&#8217; mekanizmas\u0131n\u0131 harekete ge\u00e7irmek i\u00e7in kaleme al\u0131nm\u0131\u015f \u00e7arp\u0131c\u0131 bir uyaran. Yap\u0131t\u0131 \u00f6ne \u00e7\u0131karan en \u00f6nemli ba\u015fl\u0131klar aras\u0131nda, dile kazand\u0131rd\u0131\u011f\u0131 yeni s\u00f6zc\u00fckler ve kavramlar olsa gerek.<\/p>\n\n\n\n<p>Bu kadar \u00f6zel bir \u00e7al\u0131\u015fman\u0131n, sinema ar\u015fivi i\u00e7erisinde yaln\u0131zca bir kez ele al\u0131nm\u0131\u015f olmas\u0131 da dikkate de\u011fer bir durum. En az\u0131ndan kitapta olaylar\u0131n ge\u00e7ti\u011fi 1984 y\u0131l\u0131, film ad\u0131na kazan\u0131lm\u0131\u015f bir ayr\u0131cal\u0131k olarak 1984 y\u0131l\u0131nda Michael Radford y\u00f6netmenli\u011finde izleyici ile bulu\u015ftu.<br>Film, \u00e7ekildi\u011fi d\u00f6nem i\u00e7erisinde ve aradan ge\u00e7en 40 y\u0131l\u0131n sonunda ele al\u0131nd\u0131\u011f\u0131nda da sinematik olarak ve anlat\u0131m tekni\u011fi a\u00e7\u0131s\u0131ndan ba\u015far\u0131l\u0131 olup olmad\u0131\u011f\u0131 hala tart\u0131\u015f\u0131lmaktad\u0131r.<br>IMDB puan\u0131n\u0131n 7,1 oldu\u011fu da sat\u0131rlar\u0131m\u0131z aras\u0131nda yer als\u0131n.<\/p>\n\n\n\n<p>2018 y\u0131l\u0131 i\u00e7erisinde Aysa Prod\u00fcksiyon Tiyatrosu taraf\u0131ndan, Rutkay Aziz y\u00f6netiminde &#8216;1984 &#8211; B\u00fcy\u00fck G\u00f6zalt\u0131&#8217; ad\u0131 alt\u0131nda izleyici ile bulu\u015ftu. Ankara Sanat Tiyatrosu (AST) ekol\u00fcnden gelen Aziz&#8217;in rejisi, ekol\u00fcn devam\u0131 niteli\u011finde bir sahneleme anlay\u0131\u015f\u0131 ile \u0130stanbullu izleyicilerle bulu\u015fmaya devam ediyor.<br>Hem beyaz perdede hem de sahne \u00fczerinde deneyimledi\u011fim iki sanatsal \u00fcretimin, kitab\u0131 okurken hissetti\u011fim kalp at\u0131\u015flar\u0131n\u0131, hissettirmekten uzak oldu\u011funun alt\u0131n\u0131 \u00e7izmek isterim.<\/p>\n\n\n\n<p>Ve son olarak; Nil\u00fcfer Kent Tiyatrosu ile yeniden g\u00fcndemimize giren &#8216;1984&#8217; i\u00e7in izleme deneyimi \u00f6ncesi kula\u011f\u0131ma gelenler a\u00e7\u0131k\u00e7as\u0131 beni bir par\u00e7a heyecanland\u0131rd\u0131.<\/p>\n\n\n\n<p>\u0130stanbul BB \u015eehir Tiyatrolar\u0131&#8217;nda sahne alacaklar\u0131 tarihlerin duyurulmas\u0131n\u0131n hemen ard\u0131ndan, hem \u0130stanbul BB \u015eehir Tiyatrolar\u0131 hem de Nil\u00fcfer Kent Tiyatrosu ile bir dizi ileti\u015fim giri\u015fiminde bulunmama ra\u011fmen tarih belirleme noktas\u0131nda sonu\u00e7 alamad\u0131m.<\/p>\n\n\n\n<p>Neyse ki \u00fcz\u00fcnt\u00fcm\u00fc telafi eden ba\u015fka bir geli\u015fme oldu. Oyunun, iki g\u00f6sterim i\u00e7in Bak\u0131rk\u00f6y Belediye Tiyatrolar\u0131 M\u00fc\u015ffik Kenter Sahnesi&#8217;ne konuk olaca\u011f\u0131n\u0131 \u00f6\u011frendi\u011fimde, kurumdaki payda\u015flarla ileti\u015fime ge\u00e7erek tarih belirleme \u015fans\u0131 buldum. Hi\u00e7bir oyun i\u00e7in bu kadar ileti\u015fim trafi\u011fi ya\u015fad\u0131\u011f\u0131m\u0131 hat\u0131rlam\u0131yorum.<\/p>\n\n\n\n<p>G\u00fcnler geldi ge\u00e7ti, \u00e7anlar &#8216;1984&#8217; i\u00e7in \u00e7ald\u0131!<br>A\u00e7\u0131k perde oyunlara art\u0131k \u00e7ok al\u0131\u015ft\u0131\u011f\u0131m\u0131z i\u00e7in sahneye ad\u0131m\u0131n\u0131z\u0131 atar atmaz, dekor tasar\u0131m\u0131n\u0131 do\u011frudan g\u00f6rme \u015fans\u0131na sahip oluyorsunuz.<br>Birazdan izleyiciye, farkl\u0131 bir \u015feyler izleyece\u011fi konusunda k\u00fc\u00e7\u00fck sinyaller veren bir sahne tasar\u0131m\u0131 ile kar\u015f\u0131 kar\u015f\u0131yay\u0131z.<\/p>\n\n\n\n<p>Oyun \u00f6ncesi izleyiciye sesli bir uyar\u0131 yap\u0131ld\u0131.<br>&#8216;UYARI! Bu oyunda kullan\u0131lan yo\u011fun \u0131\u015f\u0131k efektleri, \u0131\u015f\u0131\u011fa duyarl\u0131 ki\u015fileri rahats\u0131z edebilir.&#8217;<\/p>\n\n\n\n<p>Oyun, video ve ill\u00fcstrasyon tasar\u0131mla izleyicisini kar\u015f\u0131lad\u0131.<br>Sahnede her k\u00f6\u015fe, Kapal\u0131 Devre Televizyon Sistemi (CCTV) ile donat\u0131lm\u0131\u015f.<br>Ve bu ayr\u0131nt\u0131, kitab\u0131n ruhunu sahnenin tam kalbine yerle\u015ftirerek, \u00f6l\u00fcmc\u00fcl bir fark yaratm\u0131\u015f.<br>Distopya, sahnede adeta kendini var etmi\u015f.<br>T\u00fcm ayr\u0131nt\u0131lar\u0131 ile olmas\u0131 gereken ve olmas\u0131 gerekenin zaman zaman \u00fczerine \u00e7\u0131kan yap\u0131m, ba\u015far\u0131l\u0131 bir proje tasar\u0131m\u0131.<br>Oyunculuk performanslar\u0131, yarat\u0131c\u0131 ve teknik tasar\u0131mlar\u0131n i\u015f birli\u011finde, kendi basamaklar\u0131n\u0131 in\u015fa ederek y\u00fckselen \u00e7ok \u00f6nemli bir \u00e7al\u0131\u015fma.<\/p>\n\n\n\n<p>Oyuncu kadrosunda; Adem M\u00fclazim, Ay\u015fe G\u00fclerman Kum, Bar\u0131s Ayas, Batuhan Pamuk\u00e7u, G\u00f6khan Kum, Mert Tiryaki, O\u011fuzhan Ayaz, P\u0131nar Hande A\u011fao\u011flu ve Cihat Temel&#8217;in bireysel ve ekip performanslar\u0131 sizi oyunun i\u00e7erisine davet ediyor.<br>Konuk oyuncu olarak videoda yer alan isimler aras\u0131nda; Murat Daltaban, Halil K\u00fcre\u015f, \u0130brahim Ersoylu ve Mesut \u00d6zsoy yer al\u0131yor.<\/p>\n\n\n\n<p>Dekor tasar\u0131mda Cem Y\u0131lmazer ve Burak Et\u00f6z, \u0131\u015f\u0131k tasar\u0131mda Cem Y\u0131lmazer, kost\u00fcm tasar\u0131mda Tomris Kuzu, m\u00fczik tasar\u0131mda O\u011fuz Kaplang\u0131, video tasar\u0131mda Okan Temizarabac\u0131, maske tasar\u0131mda Asl\u0131 Ak\u0131nc\u0131, Tevfik \u00c7elebi, D\u00fckkan \u00fcl Hayal, ill\u00fcstrasyon tasar\u0131m\u0131nda Mehmet Ak\u00e7akoca ve koreografide Tan Temel&#8217;in oyuna boyut katan \u00e7al\u0131\u015fmalar\u0131 alk\u0131\u015fa de\u011fer.<br>E\u011fer kitap hakk\u0131nda fikriniz yoksa, gitmeden \u00f6nce Wikipedia \u00fczerinden \u00f6zet konusuna g\u00f6z atman\u0131z yerinde olacakt\u0131r.<\/p>\n\n\n\n<p>Buldu\u011funuz noktada, izleme ar\u015fivinize eklemeniz \u00f6nerilir.<\/p>\n\n\n\n<p>Tek Perde, 90 dakika<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nil\u00fcfer Kent Tiyatrosu ile ilk tan\u0131\u015ft\u0131\u011f\u0131mda tarihler 9 \u015eubat 2016 Sal\u0131 g\u00fcn\u00fcn\u00fc g\u00f6steriyordu.O zamanlar hen\u00fcz&#8230;<\/p>\n","protected":false},"author":1,"featured_media":41,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2],"tags":[3,5,6],"class_list":["post-40","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sahne-sanatlari","category-tiyatro","tag-3","tag-murat-daltaban","tag-nilufer-kent-tiyatrosu","wpcat-1-id","wpcat-2-id"],"_links":{"self":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/40","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40"}],"version-history":[{"count":5,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/40\/revisions"}],"predecessor-version":[{"id":47,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/40\/revisions\/47"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/media\/41"}],"wp:attachment":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}