{"id":49,"date":"2023-06-01T21:14:56","date_gmt":"2023-06-01T21:14:56","guid":{"rendered":"http:\/\/fuaye.net.tr\/?p=49"},"modified":"2023-06-01T21:14:56","modified_gmt":"2023-06-01T21:14:56","slug":"kuheylanin-pesinde","status":"publish","type":"post","link":"https:\/\/fuaye.istanbul\/?p=49","title":{"rendered":"K\u00fcheylan’\u0131n pe\u015finde!<\/strong>"},"content":{"rendered":"\n

\u0130lk kez, 2015 y\u0131l\u0131nda Yabanc\u0131 Sahne yap\u0131m\u0131 olarak izledi\u011fim ‘K\u00fcheylan’ adl\u0131 oyunu Deniz Hamzao\u011flu rejisi ve Yi\u011fit Kocab\u0131y\u0131k performans\u0131nda deneyimlemi\u015ftim. Hikayenin belli bir b\u00f6l\u00fcm\u00fcne odaklanan (Alan Strang’in K\u00fcheylan’a duydu\u011fu tutkulu ba\u011f\u0131ml\u0131l\u0131k) solo performans ilgimi \u00e7ekmi\u015fti.<\/p>\n\n\n\n

\u00dcnl\u00fc \u0130ngiliz yazar Peter Shaffer’\u0131n (Peter Levin Shaffer) 1973’te kaleme ald\u0131\u011f\u0131 oyun, atlara kar\u015f\u0131 patolojik bir dini hayranl\u0131\u011f\u0131 olan gen\u00e7 bir adam\u0131 tedavi etmeye \u00e7al\u0131\u015fan bir psikiyatristin hikayesini konu ediniyor.<\/p>\n\n\n\n

Oyunun dikkatleri \u00fczerine \u00e7eken ilgi \u00e7ekici konusu, Sidney Lumet y\u00f6netmenli\u011finde 1977 y\u0131l\u0131nda sinemaya da uyarlanm\u0131\u015f. Oyun, d\u00fcnyan\u0131n bir\u00e7ok \u00fclkesinde oldu\u011fu gibi T\u00fcrkiye’de de daha \u00f6nce farkl\u0131 topluluklar taraf\u0131ndan defalarca sahnelenmi\u015f.<\/p>\n\n\n\n

\u00d6zg\u00fcn ad\u0131 ‘Equus’ olan yap\u0131t T\u00fcrk\u00e7emize ‘K\u00fcheylan’ olarak \u00e7evirilmi\u015f olmas\u0131na kar\u015f\u0131n, ‘Equus’ atlar, e\u015fekler, zebralar, …vb gibi t\u00fcrleri kapsayan genel bir tan\u0131mlama.<\/p>\n\n\n\n

K\u00fcheylan \u00e7\u0131kar\u0131m\u0131n\u0131n ise muhtemelen oyun i\u00e7erisinde anlat\u0131lan \u00f6zellikleri nedeniyle, atlar i\u00e7inde soyu belli olan kuvvetli bir at t\u00fcr\u00fc i\u00e7in yap\u0131ld\u0131\u011f\u0131 anla\u015f\u0131l\u0131yor. K\u00fcheylanlar h\u0131zl\u0131, \u00e7evik ve atak olmalar\u0131 ile \u00f6n plana \u00e7\u0131kan at t\u00fcr\u00fc olarak g\u00f6sterilmektedir. Arap \u0131rk\u0131 i\u00e7erisinde yer alan t\u00fcr\u00fcn g\u00fc\u00e7l\u00fc ve dayan\u0131kl\u0131 olan tipini ifade ediyor. En bilinen at t\u00fcrleri ise Arap, \u0130ngiliz, Ahal Teke, Rahvan (T\u00fcrk) ve Midillidir.<\/p>\n\n\n\n

K\u00fcheylan, aradan ge\u00e7en 8 y\u0131l\u0131n ard\u0131ndan, \u00c7olpan \u0130lhan & Sadri Al\u0131\u015f\u0131k Tiyatrosu ve Piu Entertainment ortak yap\u0131m\u0131 olarak yeniden sahneye ta\u015f\u0131nd\u0131. Hikayenin tamam\u0131 da, kendi ad\u0131ma bu \u015fekilde tamamlanm\u0131\u015f oldu.<\/p>\n\n\n\n

\u00c7olpan \u0130lhan & Sadri Al\u0131\u015f\u0131k Tiyatrosu’nun son iki yap\u0131m\u0131nda oyun yazar\u0131 Peter Shaffer\u2019\u0131n oyunlar\u0131na yer vermi\u015f olmas\u0131 dikkatlerden ka\u00e7mad\u0131. Ge\u00e7ti\u011fimiz ay i\u00e7erisinde 100. oyunu deviren ‘Amadeus’ adl\u0131 yap\u0131m da yazar\u0131n \u00f6ne \u00e7\u0131kan bir di\u011fer oyunu. ‘Amadeus’, sezon ba\u015f\u0131nda oyuncu kadrosunda yapt\u0131\u011f\u0131 de\u011fi\u015fikliklerin ard\u0131ndan yoluna alk\u0131\u015flarla ve \u00f6d\u00fcllerle devam ediyor.<\/p>\n\n\n\n

K\u0131s\u0131tl\u0131 imkanlar ve k\u0131s\u0131tl\u0131 kadrolarla varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015fan \u00f6zel tiyatro topluluklar\u0131n\u0131n aksine<\/p>\n\n\n\n

prod\u00fcksiyon tiyatrosu olarak \u00f6ne \u00e7\u0131kan \u00c7olpan \u0130lhan & Sadri Al\u0131\u015f\u0131k Tiyatrosu, sahneye ta\u015f\u0131d\u0131\u011f\u0131 oyunlar, rol alan oyuncular, sahne \u00fcst\u00fc ve sahne arkas\u0131 yarat\u0131c\u0131-teknik ekip ve sahne ald\u0131\u011f\u0131 mekanlarla geni\u015f izleyici kitlesi ile bulu\u015fmaya devam ediyor.<\/p>\n\n\n\n

‘K\u00fcheylan’, yazar\u0131n ger\u00e7ek bir olaydan esinlenerek kurgulay\u0131p kaleme ald\u0131\u011f\u0131 , Broadway\u2019de 1200 kez sahnelenen Tony \u00f6d\u00fcll\u00fc ba\u015fyap\u0131t\u0131. Bar\u0131\u015f Erdenk’in y\u00f6netmenli\u011fini \u00fcstlendi\u011fi oyunun ba\u015frollerini Kerem Al\u0131\u015f\u0131k, Emir \u00d6zden, Hatice Aslan, Devrim Nas, A\u00e7elya Devrim Y\u0131lhan ve Gizem Katmer \u00fcstleniyor.<\/p>\n\n\n\n

\u0130zleyicilerin ekranlardan ve sinema perdelerinden tan\u0131d\u0131\u011f\u0131 oyuncular\u0131n yer ald\u0131\u011f\u0131 yap\u0131mda en belirgin ayr\u0131nt\u0131 Erdenk’in sahneleme yakla\u015f\u0131m\u0131.<\/p>\n\n\n\n

Kullan\u0131lan hareketli sahne, at fig\u00fcrleri i\u00e7in tasarlanm\u0131\u015f kost\u00fcm tasar\u0131m\u0131, at fig\u00fcrlerini canland\u0131ran oyuncu performanslar\u0131, hareket d\u00fczeni, \u0131\u015f\u0131k tasar\u0131m\u0131, m\u00fczik, izleyiciler i\u00e7in performans\u0131n sergilendi\u011fi sahne \u00fczerinde olu\u015fturulan oturma d\u00fczeni \u00f6ne \u00e7\u0131kan ayr\u0131nt\u0131lar aras\u0131nda.<\/p>\n\n\n\n

Oyunda rol alan t\u00fcm oyuncular\u0131n rol \u00e7\u00f6z\u00fcmlemeleri ger\u00e7ekten ba\u015far\u0131l\u0131. Ama, K\u00fc\u00e7\u00fck Salon yap\u0131m\u0131 Otomatik Portakal ile ilk kez sahnede izledi\u011fim Emir \u00d6zden’i, sanat yolculu\u011fu i\u00e7inde kat etti\u011fi mesafe ve \u00e7\u00f6z\u00fcmledi\u011fi rol ki\u015fisinde yakalad\u0131\u011f\u0131 ba\u015far\u0131 ile biraz daha spot \u0131\u015f\u0131klar\u0131n\u0131 \u00fczerinde tutmak istiyorum.<\/p>\n\n\n\n

Yan rollerde; Dilara \u00dck, Bertan Dirikolu, Sercan Bat\u0131k, O\u011fuzhan Keskin ve at fig\u00fcrlerini canland\u0131ran Cem Ey\u00fcpo\u011flu, Do\u011fancan Akkaya, Ecem Eker, G\u00f6ksu Giri\u015fken, Melodi \u00d6zkazan\u00e7 ve Tolgahan Kocaman’\u0131n da sat\u0131rlar aras\u0131nda anmak istiyorum.<\/p>\n\n\n\n

Kolektif olarak ba\u015far\u0131l\u0131 bir yap\u0131m olan ‘K\u00fcheylan’ sizi izleyici koltuklar\u0131na davet ediyor.<\/p>\n\n\n\n

\u0130ki perde, 120 dakika<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130lk kez, 2015 y\u0131l\u0131nda Yabanc\u0131 Sahne yap\u0131m\u0131 olarak izledi\u011fim ‘K\u00fcheylan’ adl\u0131 oyunu Deniz Hamzao\u011flu rejisi…<\/p>\n","protected":false},"author":1,"featured_media":50,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-49","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sahne-sanatlari","wpcat-1-id"],"_links":{"self":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49"}],"version-history":[{"count":1,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/49\/revisions"}],"predecessor-version":[{"id":51,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/49\/revisions\/51"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/media\/50"}],"wp:attachment":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}