\u00c7ukurova’n\u0131n bereketli co\u011frafyas\u0131, b\u00f6lgenin erken d\u00f6nem \u015fehirle\u015fmesine, kent k\u00fclt\u00fcr\u00fc ve k\u00fclt\u00fcr sanat hayat\u0131n\u0131n ye\u015fermesine yol a\u00e7t\u0131. \u00c7ukurova’n\u0131n merkezinde yer alan Adana’da, ulusal k\u00fclt\u00fcr\u00fcm\u00fcze ve sanat\u0131m\u0131za; tiyatro, sinema, edebiyat ve m\u00fczik alan\u0131nda \u00e7ok \u00f6nemli de\u011ferler kazand\u0131rd\u0131 ve kazand\u0131rmaya da devam ediyor.<\/p>\n\n\n\n
Adana B\u00fcy\u00fck\u015fehir Belediyesi (Adana BB) taraf\u0131ndan olu\u015fturulan ‘\u015eehir Tiyatrolar\u0131’ da bu s\u00fcrecin \u00e7ok \u00f6nemli bir par\u00e7as\u0131n\u0131 olu\u015fturuyor. Yeniden kap\u0131lar\u0131n\u0131 a\u00e7t\u0131\u011f\u0131 2001 y\u0131l\u0131ndan g\u00fcn\u00fcm\u00fcze, kentin sanat dokusuna uygun yap\u0131mlarla izleyici kar\u015f\u0131s\u0131na \u00e7\u0131k\u0131yorlar.<\/p>\n\n\n\n
2024-2025 sanat d\u00f6neminde de; ‘Hedda Gabler’, ‘Papaz Ka\u00e7t\u0131’, ‘\u0130stibdat Kumpanyas\u0131’ ve ‘\u015eeker K\u0131z ve Arkada\u015flar\u0131’ adl\u0131 yeti\u015fkin ve \u00e7ocuk izleyicilere d\u00f6n\u00fck yap\u0131mlarla yola \u00e7\u0131kt\u0131lar.<\/p>\n\n\n\n
U\u011fur Saat\u00e7i’nin yazd\u0131\u011f\u0131 ve \u0130lter \u015een’in y\u00f6netti\u011fi ‘\u0130stibdat Kumpanyas\u0131’, kurumun ge\u00e7mi\u015f d\u00f6nemde sahneye ta\u015f\u0131d\u0131\u011f\u0131 ve izleyiciler taraf\u0131ndan olduk\u00e7a sevilen bir yap\u0131m. Yeni sezonda da repertuvarda kendine yer bulmu\u015f durumda.<\/p>\n\n\n\n
Seyfettin S\u00fcha Erol’un \u00e7ocuklara y\u00f6nelik olu\u015fturdu\u011fu oyun metni, Mehmet Avc\u0131 taraf\u0131ndan sahnele\u015ftirildi. Repertuvara ge\u00e7ti\u011fimiz d\u00f6nemde eklenen oyun, \u00e7ocuklar\u0131n ilgisini \u00e7ekmeye devam ediyor.<\/p>\n\n\n\n
Sezonun iki yeni oyunundan biri olan Philip King imzal\u0131 ‘Papaz Ka\u00e7t\u0131’, H\u00fcseyin \u0130nan Bi\u00e7er rejisinde, g\u00fcld\u00fcr\u00fc kategorisi i\u00e7in olduk\u00e7a iddial\u0131 bir performans ortaya koyuyor.<\/p>\n\n\n\n
Henrik Ibsen’in kaleme ald\u0131\u011f\u0131, Volkan M. Sar\u0131\u00f6z’\u00fcn sahne \u00fczerine ta\u015f\u0131d\u0131\u011f\u0131 ve sezonun lokomotif \u00e7al\u0131\u015fmas\u0131 olarak nitelendirebilece\u011fimiz ‘Hedda Gabler’, Adana BB \u015eehir Tiyatrolar\u0131 repertuvar\u0131nda yer verilen ilk Ibsen \u00e7al\u0131\u015fmas\u0131.<\/p>\n\n\n\n
Yaz\u0131n\u0131n ana eksenini ‘Hedda Gabler’ olu\u015fturacak. D\u00fcnya klasikleri aras\u0131na girmi\u015f bir tiyatro metni.
Norve\u00e7li oyun yazar\u0131, edebiyat d\u00fcnyas\u0131n\u0131n en romantik d\u00f6neminde, ger\u00e7ek\u00e7i ve ele\u015ftirel yap\u0131tlar ortaya koyarak, ya\u015fad\u0131\u011f\u0131 \u00e7a\u011f\u0131n \u00f6tesinde bir yazar profili \u00e7iziyor. Toplumsal sorunlar, insan odakl\u0131 hikayelerle d\u00f6nemin muhafazakar anlay\u0131\u015f\u0131n\u0131 olduk\u00e7a zorlam\u0131\u015f ve ya\u015fad\u0131\u011f\u0131 co\u011frafyada \u00f6tekile\u015ftirilmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r. Ibsen, ya\u015fam\u0131n\u0131 insan ruhunun ya da bilincinin, ideallerinden daha \u00fcst\u00fcn oldu\u011funu g\u00f6stermeye adam\u0131\u015ft\u0131r. Norve\u00e7’in edebiyat d\u00fcnyas\u0131na kazand\u0131rd\u0131\u011f\u0131 \u00e7ok \u00f6nemli bir de\u011fer.<\/p>\n\n\n\n
Feminist tiyatronun belki de ilk modern yap\u0131tlar\u0131ndan biri olan ‘Hedda Gabler’, erkek egemen toplumlarda kad\u0131nlar\u0131n g\u00f6z ard\u0131 edildi\u011fi, \u00f6rf, adet, gelenek vb. uygulamalar\u0131n kad\u0131nlar \u00fczerindeki bask\u0131s\u0131n\u0131 t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla g\u00f6z \u00f6n\u00fcne seriyor.<\/p>\n\n\n\n
Oyunun tan\u0131t\u0131m bro\u015f\u00fcr\u00fcndeki a\u00e7\u0131klama metnini oldu\u011fu gibi al\u0131nt\u0131l\u0131yorum;<\/p>\n\n\n\n
\u201c\u00c7a\u011fda\u015f tragedyan\u0131n en iyi \u00f6rneklerinden olan Hedda Gabler\u2019de insan ruhunun derinliklerine inerken onun d\u00fcnyada ki yaln\u0131zl\u0131\u011f\u0131na tan\u0131k oluruz. J\u00f6rgen\u2019in Hedda i\u00e7in b\u00fcy\u00fck zorluklarla ald\u0131\u011f\u0131 villalar\u0131nda ge\u00e7en trajedi\u2026 Balay\u0131ndan yeni d\u00f6nen Hedda ve Jorgen Tesman\u2026 S\u00fcre\u00e7 i\u00e7inde anla\u015f\u0131l\u0131r ki Hedda asl\u0131nda, akademisyen olan ve i\u015finden kafas\u0131n\u0131 kald\u0131rmayan J\u00f6rgen\u2019i hi\u00e7 sevmemi\u015ftir. Hedda\u2019n\u0131n da bir zamanlar arkada\u015fl\u0131k yapt\u0131\u011f\u0131 ortak tan\u0131d\u0131klar\u0131 Eilert Lovborg’un geli\u015fi hayatlar\u0131n\u0131 alt\u00fcst eder\u2026\u201d<\/p>\n\n\n\n
Adana BB \u015eehir Tiyatrolar\u0131, tarihinde ilk kez \u0130stanbullu izleyicilerle bulu\u015fmak \u00fczere, 9. \u015eehir Tiyatrolar\u0131 Festivali’nde ramp \u0131\u015f\u0131klar\u0131na \u00e7\u0131kard\u0131\u011f\u0131 lokomotif \u00e7al\u0131\u015fmas\u0131 i\u00e7in, \u0130stanbul BB \u015eehir Tiyatrolar\u0131 ile i\u015fbirli\u011fine gitti. Oyun, 18-21 Aral\u0131k 2024 tarihleri aras\u0131nda \u00dcsk\u00fcdar Musahipzade Celal Sahnesi\u2019nde \u0130stanbullu tiyatroseverlerle bulu\u015ftu.<\/p>\n\n\n\n
T. Y\u0131lmaz \u00d6\u011f\u00fct \u00e7evirisi, Kurtulu\u015f Bilgilio\u011ful dramaturgisi ile Volkan M. Sar\u0131\u00f6z’e emanet edilen oyun metni, yaz\u0131ld\u0131\u011f\u0131 d\u00f6nem \u00fczerine in\u015fa edilmi\u015f bir klasik sahneleme olarak izleyici kar\u015f\u0131s\u0131na \u00e7\u0131k\u0131yor. Olca Hayal \u00c7etin, Cevher Hikmet G\u00fczey, Ya\u011fmur \u00d6zcan, \u00d6nder \u00d6zcan, U\u011fur \u0130zgi, Dilek Polat, Kurtulu\u015f Bilgilio\u011ful ve Ahmethan \u00c7elebi’nin yer ald\u0131\u011f\u0131 oyuncu kadrosu nitelikli oyunculuk performanslar\u0131 ile \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n
Oyunun y\u00f6netmeni Sar\u0131\u00f6z, Ibsen’nin metnini olduk\u00e7a yenilik\u00e7i buldu\u011funu, bu nedenle metin \u00fczerinde belirgin de\u011fi\u015fikliklere gidilmedi\u011fini ifade etti. Oyunun rejisini, ‘ait hissedememe’ temas\u0131 \u00fczerinden tasarlad\u0131\u011f\u0131n\u0131 ve Hedda’n\u0131n s\u0131k\u0131\u015fm\u0131\u015fl\u0131k duygusunu, sahne tasar\u0131m\u0131 ile g\u00fc\u00e7lendirdiklerini belirtti. Do\u011fa olaylar\u0131n\u0131n yaratt\u0131\u011f\u0131 kasvetli ortam\u0131 izleyiciye aktarabilmek i\u00e7in, geni\u015f \u00e7er\u00e7eveli demir profillerle \u015fekillendirilen g\u00f6rkemli malikane ayn\u0131 zamanda bir hapishane izlenimi uyand\u0131racak \u015fekilde tasarlanm\u0131\u015f. Hedda’n\u0131n mutsuz ge\u00e7mi\u015fini ve a\u015f\u0131r\u0131 bask\u0131c\u0131 baba fig\u00fcr\u00fcn\u00fc ruhunda g\u00fc\u00e7l\u00fc bir \u015fekilde ta\u015f\u0131d\u0131\u011f\u0131n\u0131 izleyiciye g\u00f6stermek ad\u0131na, ‘y\u00f6netmen imzas\u0131’ atarak, normalde fiziki varl\u0131\u011f\u0131 olmayan General Gabler karakterini sahne \u00fczerine ta\u015f\u0131m\u0131\u015f. \u0130ncelikli tasarlanm\u0131\u015f bir yap\u0131m olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n
Oyunun ana karakteri olan ‘Hedda Gabler’i canland\u0131ran Olca Hayal \u00c7etin, ge\u00e7irmi\u015f olmu\u015f a\u011f\u0131r so\u011fuk alg\u0131nl\u0131\u011f\u0131na ra\u011fmen, izledi\u011fim oyunda belkide hayat\u0131n\u0131n en iyi performans\u0131na imza att\u0131. Olduk\u00e7a etkileyici buldu\u011fum bu rol \u00e7\u00f6z\u00fcmlemesi, zaten sanat\u00e7\u0131n\u0131n ge\u00e7irdi\u011fi zor anlar\u0131n karakterle b\u00fct\u00fcnle\u015fmesini ve a\u015f\u0131r\u0131 ger\u00e7ek\u00e7i canland\u0131rmas\u0131na katk\u0131 sa\u011flad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum<\/p>\n\n\n\n
‘Arturo Ui’nin \u00d6nlenebilir Y\u00fckseli\u015fi’ adl\u0131 oyunda ‘Arturo Ui’ ile dikkatleri \u00fczerine \u00e7eken Cevher Hikmet G\u00fczey’i bu kez de Hedda’n\u0131n e\u015fi, akademisyen ‘J\u00f8rgen Tesman’ karakterinde izledik. Kendine has oyunculuk tarz\u0131, karakteristik sesi ile ‘Profes\u00f6r’ kimli\u011finde nitelikli bir oyunculuk sergiliyor.<\/p>\n\n\n\n
J\u00f8rgen’un akademik rakibi ve ‘Hedda’n\u0131n tek ilgi duydu\u011fu ki\u015fi olan Ejlert L\u00f8vborg karakterinde ise U\u011fur \u0130zgi rol al\u0131yor. \u0130zgi’nin g\u00f6rsel art\u0131s\u0131 ve oyunculuk tarz\u0131, ayn\u0131 zamanda \u00e7apk\u0131n kimli\u011fi ile \u00f6ne \u00e7\u0131kan karakterimizin izleyicide uyand\u0131rd\u0131\u011f\u0131 alg\u0131ya hizmet ediyor.<\/p>\n\n\n\n
Kurumun renkli isimlerinden biri olan \u00d6nder \u00d6zcan, kendisine bu oyunda en yak\u0131\u015facak karakterle bulu\u015fmu\u015f. Tesman’\u0131n yak\u0131n arkada\u015f\u0131 Hakim Brack. Farkl\u0131 rollerde izleme f\u0131rsat\u0131 yakalad\u0131\u011f\u0131m \u00d6zcan, do\u011fal oyunculuk kuma\u015f\u0131 ile sahneye yak\u0131\u015fan bir isim. Tabii bu oyunda da bize kendini hat\u0131rlatt\u0131.<\/p>\n\n\n\n
Gen\u00e7 oyuncu Ya\u011fmur \u00d6zcan ise Hedda ve J\u00f8rgen’nun arkada\u015f\u0131 Thea Elvsted karakterine hayat veriyor. Naif ve k\u0131r\u0131lgan bir insan\u0131 sahnede canland\u0131rmak olduk\u00e7a zordur. Gen\u00e7 ya\u015f\u0131nda bu denge gerektiren rolde g\u00f6sterdi\u011fi dengeli \u00e7\u00f6z\u00fcmleme, Thea karakterinin tutkusunu d\u00f6rd\u00fcnc\u00fc duvar\u0131n \u00f6tesine ta\u015f\u0131yor.<\/p>\n\n\n\n
Dilek Polat’\u0131n, J\u00f8rgen’nun halas\u0131 Juliane Tesman’\u0131 canland\u0131rd\u0131\u011f\u0131 rol de, bir di\u011fer edilgen ve k\u0131r\u0131lgan karakter. Polat’\u0131n incelikli bir ustal\u0131kla b\u00fcr\u00fcnd\u00fc\u011f\u00fc \u00e7\u00f6z\u00fcmleme, karakterin ger\u00e7ek\u00e7ili\u011fine \u00f6nemli bir de\u011fer kat\u0131yor.<\/p>\n\n\n\n
Kurtulu\u015f Bilgilio\u011ful. Oyunun ayn\u0131 zamanda dramaturgu. Sahnede en az g\u00f6rd\u00fc\u011f\u00fcm\u00fcz bir oyuncu olmas\u0131na kar\u015f\u0131n, Hizmet\u00e7i Berte karakteri i\u00e7in gerekli t\u00fcm nizanseni ustal\u0131kla yerine getirdi.<\/p>\n\n\n\n
Oyun metninde sadece ad\u0131 ge\u00e7en General Gabler, y\u00f6netmenin yorumunda sessiz bir karaktere d\u00f6n\u00fc\u015ft\u00fcr\u00fclerek sahneye ili\u015ftirilmi\u015f. Ahmethan \u00c7elebi’de bu rol ile, en ba\u015f\u0131ndan en sonuna kadar hayali bir karakter olarak, sahne \u00fczerinde kendine sessizce yer buldu.<\/p>\n\n\n\n
Oyunun, reji ve oyunculuk performans\u0131 kadar sahne ve kost\u00fcm tasar\u0131m\u0131 da ger\u00e7ekten dikkat \u00e7ekici.
\u00d6zellikle kullan\u0131\u015fl\u0131 sahne tasar\u0131m\u0131, arka fon tasar\u0131m\u0131 ve g\u00f6r\u00fclebilir arka plan mizansenleri oyunun izleme kalitesini art\u0131r\u0131yor. Dekor tasar\u0131mda Selim Cinisli, kost\u00fcm tasar\u0131mda Gazal Erten ve \u0131\u015f\u0131k tasar\u0131mda Zeynel I\u015f\u0131k imzas\u0131 bulunuyor.<\/p>\n\n\n\n
Adana BB \u015eehir Tiyatrolar\u0131, ge\u00e7ti\u011fimiz y\u0131l ‘Genel Sanat Y\u00f6netmenli\u011fi’ g\u00f6revini \u00fcstlenen Seyfettin S\u00fcha Erol ile yenilik\u00e7i bir s\u00fcrecin ilk ad\u0131mlar\u0131n\u0131 atm\u0131\u015f bulunmakta. Adana-\u0130stanbul hatt\u0131n\u0131n faal duruma ge\u00e7irilmesi, kurumun g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcne ciddi katk\u0131 sa\u011flayacakt\u0131r.
\u015eehir Tiyatrolar\u0131 Festivali’nin de sekiz y\u0131ld\u0131r koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenen ve dokuzuncu kez d\u00fczenlenmesinde belirgin pay sahibi olan Erol’un, kurum ad\u0131na \u00f6nemli bir kazan\u00e7 oldu\u011fununun vurgulamak gerekir.<\/p>\n\n\n\n
Yap\u0131mda ve organizasyonda eme\u011fi ge\u00e7en t\u00fcm sanat emek\u00e7ilerine selam olsun.<\/p>\n\n\n\n
\u0130ki perde, 2 saat 15 dakika<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00c7ukurova’n\u0131n bereketli co\u011frafyas\u0131, b\u00f6lgenin erken d\u00f6nem \u015fehirle\u015fmesine, kent k\u00fclt\u00fcr\u00fc ve k\u00fclt\u00fcr sanat hayat\u0131n\u0131n ye\u015fermesine yol…<\/p>\n","protected":false},"author":1,"featured_media":75,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2],"tags":[],"class_list":["post-74","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sahne-sanatlari","category-tiyatro","wpcat-1-id","wpcat-2-id"],"_links":{"self":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/74","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=74"}],"version-history":[{"count":4,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/74\/revisions"}],"predecessor-version":[{"id":79,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/posts\/74\/revisions\/79"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=\/wp\/v2\/media\/75"}],"wp:attachment":[{"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=74"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=74"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fuaye.istanbul\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=74"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}